Available works
If you are interested in any of the available pieces, send me an email using the button below.
A Journey to the Unknown
41x20cm, oil on cradled panel, January 2026
I was struck by the angularity and solidity of the scene, and how we, as humans, effect and navigate our environment. The low winter light was creating these amazing angular slabs of sunlight and shadow, and the contrast between the cold shadows and the sun’s warmth was starkly apparent as the solid buildings threw their shadows. The colours almost reduced themselves down to stark shapes, the blues of the icy sky echoing into the cold shadows. I focused on our innate human ability to navigate and explore unknown lands - the journey and perspective all leading to the arched gatehouse and beyond to a new, unexplored, world.
An Ancient Way of Seeing
41x20cm, oil on cradled panel, December 2025
Painted near Sharpitor on Dartmoor, looking out on a freezing winter’s day at the looming storm clouds building over Bodmin Moor. This painting evokes an older way of seeing, one where our ancestors would have looked over a landscape to assess danger, safety, weather, navigation, and temperature - all critical to our survival. Dartmoor is always an elemental experience, and I felt connected to the roots of our survival as a species.
The Wind in the Reeds
50x25cm, oil on canvas panel, October 2025
Created at Topsham, Devon, this painting is all about capturing the movement on a windy autumn day. The tidal river is flowing out to sea, the clouds are racing across the sky, and the reeds are waving in the wind. This painting as as much about taking paint off as putting it on. The paint for the reeds, ripples in the water, and the clouds have all been carefully moved, pushed, wiped and pulled to reveal the lighter canvas underneath, bringing the sharp light and movement into the scene.
Underneath the Viaduct
25x60cm, oil on linen panel, September 2025
Painted in Morlaix, Brittany, the viaduct arches over the old town. I couldn’t resist the verticality of the scene, and returned with my painting gear to capture the wonderful early autumn light as it threw rapidly changing shadows across the narrow street and buildings. Key to this painting is the relationship between warm and cool, with the sunlight hitting the viaduct and entering the scene from the side street to the left. I kept the colour palette limited to accentuate the warm/cool relationship - with cool prussian blue and titanium white playing out against ochre, cadmium yellow, alazarin crimson and burnt umber. I just loved the hanging light breaking up the void formed by the viaduct arch, and the appearance of the leaning building echoed by their stepped timber frames.